Literary works give expression to universal themes through settings, subjects, and techniques that are culturally tied. This article reviews generic conventions involving point of view, protagonist, conflict, rising action, climax, falling action, and resolution that typify Western short stories in order to examine how varying patterns can illuminate cultural contrasts between Thailand and the West. Widely known stories by Katherine Mansfield and Amy Tan serve to exemplify the conventional Western pattern and its versatility and to provide a basis for discovering alternative patterns that characterize numerous contemporary Thai short stories. An analysis of stories by S.E.A. Write award winners Phaitoon Thanya, Anchan, and Ussiri Thammachot through the comparative lens of Western conventions reveals how divergent narrative techniques involving point of view and plot elucidate and corroborate divergent expressions regarding the nature of identity. Narrative patterns in these Thai short stories help produce diffusions of identity that reflect a collectivist ethos and an acceptance of uncertainty and impermanence, while adherence to the Western formula reinforces a core belief in the permanence and persistence of the individual ego over time.