The slogan “Asia for Asians” has been a central concept of the Greater East Asia Co-Prosperity Sphere and propagated by Japan as it imperialized parts of East Asia, Southeast Asia, South Asia, and Oceania. Without bias to the resulting historical developments and realities, Pan-Asianism is revisited through the propaganda arts and materials proliferated by the Empire of Japan towards its agenda of a unified Asia. Aided by knowledge of art history and criticism, six specifically chosen propaganda arts are analyzed using theories of image analysis drawing from the works of , Bartmański, Alexander, and Giesen (), and . Three main themes are analyzed: the image of the sphere, the collective identity of the countries in the sphere under Japan, and the meaning of co-prosperity. The themes provide an insight into the development of Pan-Asianism as propagated by the Japanese Empire in its attempt towards Pan-Asianism through the Greater East Asia Co-Prosperity Sphere.
“Asia for Asians”: Revisiting Pan-Asianism through the Propaganda Arts of the Greater East Asia Co-Prosperity Sphere
Keywords
Pan-Asian Identity; Tenka; epistemic merit model; semiotic analysis; iconic power
Abstract
DOI
- Issue: Vol 26
section: Articles
section: Articles